︎︎︎studio website of︎︎︎

Suzie McMurtry

︎ ︎ ︎


Suzie is an artist, designer, and researcher from the San Francisco Bay Area currently living in London where she recently completed an MA in Material Futures at Central Saint Martins.

Broadly, she’s interested in socio-ecological systems. She has a background in fiber & printmaking & has been working in sustainable fashion since 2017. Her making research practice is directed towards exploring climate resilience, circularity, greenwashing, & regenerative design. She engages with these themes using speculative, clothing, material, service, & social design.

She's shown her artwork in Colorado & California, & her design work in the UK and the Netherlands.

I’m open to work! Please reach out regarding my availability for workshops, material consulting, or design & visual research.

︎Dutch Design Week 2022
︎LS:N Global (The Future Laboratory)


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I’m reading...
Jia Tolentino
Naomi Klein
Ursula K. Le Guin
Octavia Butler
Maria Puig de la Bellacasa
Donna Haraway
Shoshanna Zuboff
Robin Wall Kimmerer
Timothy Morton
Jenny Odell
Durga Chew-Bose
Center for Humane Technology

Revisiting Settling

A multimedia exhibition of printed, dyed, sewn, and projected works produced out of a rumination on regional ecological family history.

This series of three canvases includes depictions of my grandmother in San Francisco in 1933, e-commerce style images of clothing I made or altered, and photographs of palm trees in front of my current home in the East Bay. In the short film, footage from around the area is projected onto these paintings. The impetus for this particular rumination on family history, memory, ecology, and settlement in California was one invasive tree, whose leaves produce a bright orange dye.

In the 1950s my grandmother planted a Eucalyptus cinerea, or Silver Dollar Gum, this purpose. This single act, done almost exactly a century after another eucalyptus species was first set loose in the Bay Area by colonizers who somehow thought it would make good lumber, feels different—isolated. I have been harvesting leaves every few months to dye wool since my grandmother first told me of its color.

The revelation of the orange dye-producing tree coincided with our unearthing of a family loom from the basement about 50 yards away. Although the present pandemic has slowed my ability to weave on that loom in my grandparents’ living space, this extracting, dyeing, projecting, and processing of photographs has been a way of asking: what should be done with the physical products of our ancestors’ decisions? These things are not static nor disconnected from larger systems, though they may feel that way to the individual. I’m reminded of this at least every few months when I harvest leaves for another dye bath; the spot on the trunk I’ve taken from has always at least doubled in rapid, invasive growth.

August 21st, 2020 update:
Much of the land in this footage has burned in the SCU Lightning Complex Fires. Among destruction and other regrowth, certain native plants that have been dormant for decades underneath invasive grasses, can grow again after a fire when those grasses are burned away.

Clothestile I
photographic transfer & dye on canvas
48" x 72"

Me in the Park 1933
graphite, dye, collage & oil on canvas
36" x 60"

Orange Palm Hearts
photographic transfer & dye on canvas
36” x 48”

for Artists’ Television Access
© Suzie McMurtry 2020